By James Carney, Leonard Madden, Visit Amazon's Michael O'Sullivan Page, search results, Learn about Author Central, Michael O'Sullivan, , Karl White
Beckett Re-Membered showcases one of the most contemporary scholarship at the Irish novelist, poet, and playwright, Samuel Beckett. in addition to essays on Beckett s literary output, it encompasses a part at the philosophical size of his paintings a big addition, given the profound effect Beckett has had on eu philosophy. instead of trying to circumscribe Beckett scholarship via advocating a theoretical place or thematic concentration, Beckett Re-Membered displays the interesting and numerous diversity of serious interventions that Beckett experiences maintains to generate. within the nineteen essays that contain this quantity, each significant articulation of Beckett s paintings is addressed, with the end result that that it bargains an strangely complete survey of its objective writer. Beckett Re-Membered will attract any reader who's attracted to provocative responses to at least one of the 20th century s most crucial eu writers.
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Additional info for Beckett Re-membered: After the Centenary
The Literature of Possibility: A Study in Humanistic Existentialism. Lincoln: University of Nebraska Press, 1959. Beckett, Samuel. Watt. 1953. London: Calder, 1976. Buttner, Gottfried. Samuel Beckett’s Novel Watt. Philadelphia, University of Pennsylvania Press, 1984. Driver, Tom F. ” Columbia University Forum, IV (Summer 1961): 22-23. Hacking, Ian. The Taming of Chance, Cambridge: Cambridge University Press, 1990. Hesla, David. ” Critique 6 (1963): 85-105. —. The Shape of Chaos: An Interpretation of the Art of Samuel Beckett.
32 Hutchinson quotes a Socratic dialogue in Plato’s Cratylus where 28 Philosophical Vagrancy in Molloy: A Deleuzean Reading Socrates ... ”35 Both Molloy and the Unnamable inhabit in-between, marginal spaces but where Molloy journeys onward, or even homeward (to see his mother), the Unnamable remains stationary. His only movement is verbal and he can be seen, therefore, as an example of language in motion rather than Molloy’s motion in language. Both characters are embarked on the static quest but in terms of language their quests are different.
Beckett has used aspects of the quest narrative (which resonates through Western literature from medieval Romance through Chaucer and Spenser to Cervantes and beyond) alongside aspects of the detective novel (the archetype of which is the Oedipus figure in Sophoclean drama) as well as some elements of fairy or folk tales and he has come up with a radical collage of all these elements which rewrites even as it reiterates (in Gontarski’s phrase) the traditional novel. 10 Indeed, one might say that the idea of the static quest is encrypted into the novel as a guiding motif which underscores Molloy’s intransigent immobility.